Feet To The Sky is released by Voga Parochia digitally on October 18th and on 7" on October 26th
Lulu & The Lampshades myspace is here
Music reviews and other related stuff, by me, Russ.
Feet To The Sky is released by Voga Parochia digitally on October 18th and on 7" on October 26th
Lulu & The Lampshades myspace is here
 In which Golden Silvers follow their True Romance album by picking up the torch dropped by the Super Furry Animals, delivering a superbly languid piece of sunshine liquid funk. There are squiggles of other wordly synth, Beatles harmonies and less is more victory. Lily The Lover is where electro pop meets stuttering industrial and Christmas tunes. Rather odd, but nicely affecting and a great anti-chorus. Locked Up My Head is straight forward disco funk, with a pulsing beat. You still can’t help but be reminded of Gruff Rhys, but that’s mainly the vocals. Queen Of The 21st Century is fun, harmonic leftfield pop, a buoyant tune showing Golden Silvers more straight forwardly melodic side.
In which Golden Silvers follow their True Romance album by picking up the torch dropped by the Super Furry Animals, delivering a superbly languid piece of sunshine liquid funk. There are squiggles of other wordly synth, Beatles harmonies and less is more victory. Lily The Lover is where electro pop meets stuttering industrial and Christmas tunes. Rather odd, but nicely affecting and a great anti-chorus. Locked Up My Head is straight forward disco funk, with a pulsing beat. You still can’t help but be reminded of Gruff Rhys, but that’s mainly the vocals. Queen Of The 21st Century is fun, harmonic leftfield pop, a buoyant tune showing Golden Silvers more straight forwardly melodic side. Dear Landlord is primarily Michael Docherty, based in Oxford, plus a rotating cast of assembled players. Snowdrift is more like the pleasurable rinky dink of old, mainly because a much rougher version appeared on the last EP. This one is much more restrained but much better for it, with a sly nod to Kanye West at the end. I often find myself reminded of the rambunctious old Dylan when he kicks free when I listen to Dear Landlord. Maybe this is the inherent folk stylings, the bunches of instruments melding into one gorgeous whole. Identical Hearts is a measured thing, initially reminiscent of the Go-Betweens studied but unaffected cool. It’s a marked move on from the frantic tunes of the previous EP, even when the trumpet makes the melody throw its head back and arc upwards in triumph. It’s a slow burning beauty. Steve Goodman sounds like a fleshed out Lonnie Donegan to start with, before stretching out into probably the most happy and best track here. It’s joyous, yelling and sounds like a wheeling band at the best hoe down in the world.
Dear Landlord is primarily Michael Docherty, based in Oxford, plus a rotating cast of assembled players. Snowdrift is more like the pleasurable rinky dink of old, mainly because a much rougher version appeared on the last EP. This one is much more restrained but much better for it, with a sly nod to Kanye West at the end. I often find myself reminded of the rambunctious old Dylan when he kicks free when I listen to Dear Landlord. Maybe this is the inherent folk stylings, the bunches of instruments melding into one gorgeous whole. Identical Hearts is a measured thing, initially reminiscent of the Go-Betweens studied but unaffected cool. It’s a marked move on from the frantic tunes of the previous EP, even when the trumpet makes the melody throw its head back and arc upwards in triumph. It’s a slow burning beauty. Steve Goodman sounds like a fleshed out Lonnie Donegan to start with, before stretching out into probably the most happy and best track here. It’s joyous, yelling and sounds like a wheeling band at the best hoe down in the world. This is certainly the album of the guest artist. This may be true of previous Basement Jaxx albums, but I’m coming in fresh to their long players, and can’t be bothered to look back. Kelis and Chipmunk crop up on the opening title track, a weird pulsating thing that sounds like some otherwordly Guinness advert soundtrack. Raindrops is the cracking lead single that you’ve probably heard already, a euphoric rush of a chorus, tinkling and raving it to the sky, a festival anthem if ever there was one. She’s No Good is a decent funky number featuring the vocal talents of Eli ‘Paperboy’ Reed, but is really one of his numbers with them assisting. Saga features Santigold for some average ska and Sam Sparro pops by to flex his vocal chords on a pumping dance tune. Twerk features Yo Majesty and is a hip-hop meets dance thing, squelchy and with bits of Maniac in it. There’s a little too much going on, but it’s a fun effort. Day Of The Sunflowers is as wonderfully ice cool robotic electro pop as you’d expect of a tune featuring Yoko Ono, while What’s A Girl Gotta Do is the Muppet Show theme versus latter period Noisettes. After a couple of nondescript noodles we finish with the afro funk cool groove of Gimme Somethin’ True. Scars is as eclectic as ever, with a few targets hit dead centre.
           This is certainly the album of the guest artist. This may be true of previous Basement Jaxx albums, but I’m coming in fresh to their long players, and can’t be bothered to look back. Kelis and Chipmunk crop up on the opening title track, a weird pulsating thing that sounds like some otherwordly Guinness advert soundtrack. Raindrops is the cracking lead single that you’ve probably heard already, a euphoric rush of a chorus, tinkling and raving it to the sky, a festival anthem if ever there was one. She’s No Good is a decent funky number featuring the vocal talents of Eli ‘Paperboy’ Reed, but is really one of his numbers with them assisting. Saga features Santigold for some average ska and Sam Sparro pops by to flex his vocal chords on a pumping dance tune. Twerk features Yo Majesty and is a hip-hop meets dance thing, squelchy and with bits of Maniac in it. There’s a little too much going on, but it’s a fun effort. Day Of The Sunflowers is as wonderfully ice cool robotic electro pop as you’d expect of a tune featuring Yoko Ono, while What’s A Girl Gotta Do is the Muppet Show theme versus latter period Noisettes. After a couple of nondescript noodles we finish with the afro funk cool groove of Gimme Somethin’ True. Scars is as eclectic as ever, with a few targets hit dead centre. This is a collection of 7 songs composed in 7 days and previously issued as free downloads via Twitter. Erla’s Waltz is a maudlin piano piece that ebbs and flows gently. Raein plods by, sounding very like Chopin, or so I’m told by my wife. Romance passes by, in the twinkling of an eye, while Allt vard hljott is an arcing sumptuousness of strings, like the sadness of the princess locked in the tower. Lost Song is another maudlin beauty, although there is a certain amount of repetition creeping in now amongst the songs. Faun is a tip toeing medieval elegy, as downbeat as normal, but different in tone. Ljosid finishes things off in predictable, but lovely fashion. If you’re an Olafur fan, there’s much to love here.
This is a collection of 7 songs composed in 7 days and previously issued as free downloads via Twitter. Erla’s Waltz is a maudlin piano piece that ebbs and flows gently. Raein plods by, sounding very like Chopin, or so I’m told by my wife. Romance passes by, in the twinkling of an eye, while Allt vard hljott is an arcing sumptuousness of strings, like the sadness of the princess locked in the tower. Lost Song is another maudlin beauty, although there is a certain amount of repetition creeping in now amongst the songs. Faun is a tip toeing medieval elegy, as downbeat as normal, but different in tone. Ljosid finishes things off in predictable, but lovely fashion. If you’re an Olafur fan, there’s much to love here.